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Rega

Ania

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Rega had a problem with moving-coil cartridges long before it had an answer. The format's advantage is obvious on paper: a coil small enough and light enough to follow a groove faster than any magnet-based design can manage. Its disadvantage is just as obvious in practice. Everything that makes the generator quick also makes it fragile, and the tiny voltages it produces are swamped by any movement that is not the record's. A moving coil is only ever as steady as what holds it.

The Ania is where Rega's answer became affordable. It borrows the generator thinking from the Apheta and Aphelion above it - the same complex hand-wound micro coil, wound onto an iron micro cross so small that the whole assembly can be thrown around by the groove rather than dragging behind it, driven by a super high-powered neodymium magnet. What it does not borrow is the price of the bodies those cartridges wear.

Instead the Ania is built into polyphenylene sulphide - PPS-Fortron, with 40% glass content. Rega chose it for two properties that matter more than glamour: hardness, and dimensional stability. A body that flexes turns the groove's information into a smear; a body that changes shape with temperature or humidity quietly moves the stylus away from where it was set. PPS does neither. The catch is that a material that hard is difficult to mould accurately, and accuracy is the entire point - so Rega spent a year developing the injection mould tool alone, before a single cartridge existed. Stainless steel inserts take the fixing bolts, so the threads do not wear into the body over a lifetime of arm changes, and Rega's three-point fixing locates the cartridge to the arm on a defined plane rather than letting two bolts and a guess decide the alignment.

The Ania in studio side view on white, the clear rigid cover over the generator on a black body, brass boss and gold output pins at the rear, stylus guard clipped up over the front

Inside, a rhomboid pivot system carries the cantilever, and a diamond-tipped elliptical stylus does the reading. The whole moving assembly is kept deliberately low in mass, which is the mechanism behind everything people notice about the cartridge: it starts and stops with the groove instead of ringing on after it.

Living with one asks two things. The first is a moving-coil phono stage - the Ania puts out 350 µV, roughly a twentieth of what a moving-magnet cartridge delivers, and no MM input will make sense of it. Rega's own Fono MC is built for exactly this, and on an adjustable stage the settings are 100 ohms, 1000 pF, gain on high. The second is a tracking force between 1.75 and 2.00 grammes, set properly, because a low-mass generator is less forgiving of a lazy setup than a heavy magnet cartridge would be.

Where does it sit? Below the Ania Pro, which trades up to a finer stylus profile for more of the same detail, and well below the aluminium-bodied Apheta 3. Above it there is more resolution to buy. But the step from a good moving-magnet cartridge to the Ania is not a step along the same line - it is a change in how the music arrives, and it is the cheapest place in the Rega range to hear that change.

More photographs

The Ania with the guard removed, the fine cantilever and diamond projecting below the body, the hand-wound coil visible through the clear cover
The Ania from behind, ANIA printed on the clear cover, the four colour-coded output pins and the black stylus guard folded over the top
The Ania mounted on a Rega arm above a glass platter, headshell bolts and red, green, blue and white tag wires in view, the stylus just clear of the record surface
The arm lowered over the glass platter of a Planar, the Ania and its cantilever seen edge on above the platter rim

The story on this page is Rega's own, reprinted by Joenit, its official distributor.